That these songs were indeed left off only points out how good Bonfires was, and how easily the Clientele concoct note-perfect autumnal pop. The same with the bouncing and sweet 'Paul Verlaine' it would have been one of the more memorable tracks there.

Hard to believe that they couldnР“СћРІвЂљВ¬РІвЂћСћt find room for the title track 'Minotaur' as its fragile melody and sweetly swaying dynamics would have fit in perfectly. So strong that it spawned an equally wonderful EP made up of songs recorded at the Bonfires sessions that were deemed suitable for the album itself. The ClienteleР“СћРІвЂљВ¬РІвЂћСћs 2009 album Bonfires on the Heath was one of the best, most hauntingly beautiful records of the bandР“СћРІвЂљВ¬РІвЂћСћs impressive career. Bingham has delivered a set of songs that mirrors our uncertain times in a musical language that doesn't unduly distort or romanticise them. The only real consolation Junky Star offers is that no one need feel alone in her or his desperation-this is a true accomplishment. Bingham is unflinching, but his songs hold out for a glimmer of something else. 'All Choked Up Again,' set to Waylon Jennings' brand of outlaw country closes it out by mining the existential darkness deeper. The blues in 'Hard Worn Trail,' are rooted in poverty worry, strained, broken relationships resulting in the search for comfort. 'Lay My Head On The Rail,' is pure folk poetry illustrated by a lone acoustic guitar. 'Hallelujah' is another murder ballad with a disturbing twist. Rootlessness as peace of mind is portrayed via country rock in 'The Wandering,' but the feeling in 'Strange Feeling In The Air,' the title track, a deeply moving acoustic murder ballad (they are strewn throughout the album), and the angry uptempo 'Depression,' reflect a contradiction: constant movement is the key to survival, not necessarily peace. He begins with a sandblasted vision of America in 'the Poet.' Amid acoustic guitars, a lonesome harmonica ,restrained electric and bass drum, Bingham's whiskey-smoked vocal offers a lyric theme the entire album turns on: 'As I keep walking, people keep talking/About things they've never seen or done/Homeless sleep in the park, lovers kiss in the dark/Me, I keep moving on through time.' Time is suspended as Bingham's protagonists tell stories from the road (some of them bone-chilling), from America's past and present, physically and psychologically. A former rodeo rider, he wears his influences proudly: Guthrie, Dylan, Van Zandt, Ely, Earle, Clark, and Hubbard. Bingham has trimmed his songwriting to the bone, while learing to use metaphor and metonomy like a veteran. The sound is pure Americana these 12 lyrically sophisticated yet direct songs, reflect a host of tense, lost, desperate, individuals dreaming the same dark dream, one that suggests that we are all growing tenser with the times. Bingham and his Dead Horses-drummer Matthew Smith, bassist Elijah Ford, and guitarist Corby Schaub, prove the song was no fluke. The song was produced by T-Bone Burnett, creating a partnership extended on Junky Star. Bingham won both a Golden Globe and an Oscar for 'The Weary Kind,' the theme song from the film Crazy Heart. Barely 30 years old, his previous work showed promise but carried the excess expected of a novice. Songwriter Ryan Bingham has grown tremendously on this third full-length.

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